Morning at the Improv

 

(My Years of Montessori – Part 39)

 

At some point – I assume – every teacher will have a lesson when everything goes differently than their best laid plans. They arrive in class only to discover that some crucial piece of technology refuses to work, or a flu epidemic has halved the class size, or as is often the case with me, they suddenly look at what they prepared and think “This is stupid. I don’t want to do this.”

So they improvise.

And many teachers will tell you that these improvised, spur-of-the-moment lessons can be incredibly fun and much more memorable than the usual fare.

 

I went into my class Monday morning with a plan. We were kicking off a big, school-wide project around the theme of “Art”. Starting the next Monday, the kids would be able to try out different art forms for themselves – from ceramics, to painting, to sculpture, to carving, to weaving, etc. – but beforehand we would be learning about various artistic movements and different epochs in art along with their historical backgrounds, from cave paintings to Picasso, from da Vinci to Banksy. So all their lessons this week, whether World Studies, English, German or even Math, would somehow be connected to the topic of art . . . starting now. This lesson –this moment  – would be the big Kick-Off. I had it all planned out.

 

First I was going to do a general survey of what the kids associated with the word “Art”. Then I had a set of 26 cards based on the book “Museum ABC”. Each card showed 4 very different works of art with some object in common. And these 26 objects each began with a different letter of the alphabet. They had to identify the objects (in English!) and lay them out from A to Z. After that, I would point out examples on the cards from different art movements (Realism, Impressionism, Expressionism, Art Nouveau, Abstract, Surrealism, etc.) and have the kids come up with differences.

 

So back to Monday. I sat down on the carpet in the circle of kids and announced the official beginning of the project.

And then there was a weird, fairly long silence because I suddenly found it difficult to bring the banal question “What is Art?” over my lips. I knew instinctively that it wasn’t going to work.  Talking about art was not going to edify these kids. To really learn something, you need to experience it.

Time to improvise.

“We, humans,” I said, “all see the world in our own unique way. And most of us want to show or communicate to others how we see things. Art gives us an almost infinite number of ways to do this. I want to do a little experiment with you guys to demonstrate what I mean. Now close your eyes.”

The kids eyed me somewhat dubiously, but then decided to play along.

“Picture a chair.”

There were some murmurs and short requests for clarification. (“What kind of chair?” – “That’s up to you.”)

I looked around the circle of kids with their eyes closed, and added

“As you are imagining your chair, think about a few details . . like, what color is it? What is it made of?”

I waited for a few seconds and then asked, “Does everyone have a picture in their minds?”

After everyone had said yes, I told them to open their eyes, then handed them a piece of paper and said “Now go draw it. You can use colored pencils if you want.”

There was a mild but palpable excitement in the room (which surprised me) and they all spread out.

About ten minutes later most of them had wandered back to the carpet with drawing in hand. I had them lay their pictures in a circle on the carpet around the word “chair”. We all then sat down around them and compared for a while.

“Clearly, we all have different ideas about what a chair is and we used different styles in drawing them. One style is called ‘Realism’ – it means trying to paint the object as realistically as possible – exactly like it is. Almost like a photograph. Which of these is ‘realist’?”

About 11 fingers immediately pointed at Benny’s drawing. He was the only one who had used a ruler and thought about perspective.

“Not all artists draw objects exactly. Instead they show the object the way they see it or feel about it or experience it. Their impression of it. This is called ‘Impressionism’ – which of these looks a lot like a chair, but not like a photograph of one, somehow softer, less exact, more creative, lines that aren’t straight . . .

Fingers pointed at several pictures this time. A discussion started up about one of the choices because it didn’t look enough like a real chair.

“But it reminds you of a chair. Or makes you think of chair without really being a chair, doesn’t it?”

Most of the kids agreed.

“That is called ‘Abstract’.  The form of the object is distorted but usually still recognizable – in this case as a chair. Though . . . sometimes you have to be told what it is before you can see it.”

From there we found something Expressionist (in which the emotion was more important than the object) in Fred’s attempt to draw a dentist’s chair. He had gotten frustrated and scribbled over the part where the patient’s face would be. The result was slightly frightening. We discovered a Cubist chair (a collection of rectangular forms) and Symbolist executive chairs – one of which could be mistaken for a (middle) finger (salute). There was even one slightly Surreal chair (with fluffy looking jetpacks).

I was amazed at how long this little demonstration held their attention and at how they really seemed to get it. Even young Jonathon, who was clearly embarrassed about his own chair and reluctant at first to add it to the others on the carpet. I could almost hear him thinking “Benny’s chair is so good and mine looks so stupid and wrong!” Ten minutes later he was beaming about his cool, abstract style of drawing.

Unfortunately, because this was all unplanned, I didn’t have examples ready to show them right then and there, but I prepared this poster in the evening. The following morning, we ended up talking about it again for almost a half hour as one kid after another asked me questions about one of the movements (mostly the one their own chair drawing was assigned to . . .). Then we finally got to the Museum ABC activity that I had originally planned. It turned out to be way too easy and they were done in two minutes flat. So – Thank Goodness for spontaneous inspirations!

The next time I try this – and I definitely will (!) – I’ll have the example pictures ready to go. But I can say with confidence already that it won’t be the same magical experience. It is also entirely possible that two minutes before class starts, I will suddenly think, “This is stupid. I don’t want to do this.”

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2 thoughts on “Morning at the Improv

  1. What an inspired idea, 227… if nothing else, the exercise would teach them that we all see or imagine things differently. At best, their drawings would reflect a variety of art styles that you all could discuss. How neat that the kid with the “inferior” drawing was able to embrace it as simply a different style, finding an artistic niche where he fit. Planning is good but when the Muses sing, it’s best to listen and play along. Nice going, Teach! 🙂

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